Bratcher, Robert and Nida, Eugene A. A Handbook on the Gospel of Mark. Leiden: Brill, UBS, 1961.
The Greek that is translated as “Jesus loved him” in most English translations is translated as “his heart burned for” in Guerrero Amuzgo, “he hurt in his heart” (Tzeltal), “his heart went away with” (Mitla Zapotec), “his abdomen died for him” (Western Kanjobal), “his thoughts were toward him” (Cashibo-Cacataibo), “put him in his heart” (Toro So Dogon) (source for all above: Bratcher / Nida), “desired his face” (Mairasi) (source: Enggavoter 2004).
See also love (by God).
The Greek that is rendered as “in his right mind” or “sound-minded” in English is translated as “his mind had returned” (Amganad Ifugao), “his heart was sitting down” (Tojolabal), “his head was healed” (Chicahuaxtla Triqui), “his mind was straightened” (Tzotzil), “with a clear mind again” (Javanese), “come to his senses” (Indonesian) (source for this and all above: Bratcher / Nida), “come to his cleanness/purity” (Marathi), “(his) thoughts having become right” (Ekari), “his intelligence having-become clean again” (Sranan Tongo), “having-mind” (Batak Toba), “settled his mind” (Tae’), “settled/fixed” (Balinese) (source for this and five above: Reiling / Swellengrebel), or “had well-split vision” (Mairasi) (source: Enggavoter 2004).
The Greek and Hebrew terms that are translated as “hypocrite” in English typically have a counterpart in most languages. According to Bratcher / Nida (1961, p. 225), they can be categorized into the following categories:
Following is a list of (back-) translations from some languages:
The English version of Sarah Ruden (2021) uses “play-actor.” She explains (p. li): “A hupokrites is fundamentally an actor. The word has deep negativity in the Gospels on two counts: professional actors were not respectable people in the ancient world, and traditional Judaism did not countenance any kind of playacting. I write ‘play-actor’ throughout.”
See also hypocrisy.
The Greek that is translated into English as “vain” or “in vain” in English is (back-) translated in various ways:
The Greek that is translated as “worries (or: cares) of the world (or: this age)” in English is (back-) translated in a number of ways:
See also end of the age / end of the world.
The Greek terms that are translated into English as “preach” or “proclaim” are regularly rendered into Aari as “speaking the word of salvation.” (Source: Loren Bliese)
Other languages (back-) translate it in the following manner:
In Luang it is translated with different shades of meaning:
Source: Kathy Taber in Notes on Translation 1/1999, p. 9-16.
The Greek that is translated into English as “crucify” is translated into Naro with xgàu which literally means “to stretch” as is done with a skin after slaughtering in order to dry it. The word is also widely accepted in the churches (source: Gerrit van Steenbergen). Similarly, Balinese and Toraja-Sa’dan also translate as “stretch him” (Source: Reiling / Swellengrebel) and in Rendille as lakakaaha — “stretched and nailed down” (source: Holzhausen / Riderer 2010, p. 33).
In Ghari it becomes “hammer to the cross” (source: David Clark), in Loma “fasten him to a spread-back-stick” (source: Bratcher / Nida), in Sundanese “hang him on a crossbeam” (source: Reiling / Swellengrebel), in Aguaruna “fasten him to the tree,” in Navajo “nail him to the cross,” in Yatzachi Zapotec “fasten him to the cross” (source for this and above: M. Larson / B. Moore in Notes on Translation February 1970, p. 1-125.), in Noongar “kill on a tree” (source: Warda-Kwabba Luke-Ang), and in Apali the different aspects of the crucifixion have to be spelled out: “nail to a tree piece put cross-wise, lift up to stand upright (for the crucified person) to die (and in some contexts: to die and rise again)” (source: Martha Wade).
In British Sign Language it is signed with a sign that signifies “nails hammered into hands” and “arms stretched out.” (Source: Anna Smith)
“Crucify” or “crucifixion” in British Sign Language (source: Christian BSL, used with permission)
See also the common sign language sign for Jesus.
Following is a painting by Wang Suda 王肅達 (1910-1963):
Image taken from Chinese Christian Posters . For more information on the “Ars Sacra Pekinensis” school of art, see this article , for other artworks of that school in TIPs, see here.
See also cross, hang on a tree, and this devotion on YouVersion .
The Greek and Hebrew that is translated as “doubt” in English versions is translated with a term in Tzeltal that means “heart is gone.” (Nida 1952, p. 122)
In other languages it is represented by a variety of idiomatic renderings, and in the majority of instances the concept of duality is present, e.g. “to make his heart two” (Kekchí), “to be with two hearts” (Punu), “to stand two” (Sierra de Juárez Zapotec), “to be two” or “to have two minds” (Navajo), “to think something else” (Tabasco Chontal), “to think two different things” (Shipibo-Conibo), “to have two thoughts” (Yaka and Huallaga Huánuco Quechua), or “two-things-soul” (Yucateco).
In some languages, however, doubt is expressed without reference to the concept of “two” or “otherness,” such as “to have whirling words in one’s heart” (Chol), “his thoughts are not on it” (Baoulé), or “to have a hard heart” (Piro). (Source: Bratcher / Nida, except for Yucateco: Nida 1947, p. 229 and Huallaga Huánuco Quechua: Nida 1952, p. 123)
In Chokwe “kwalajala is ‘to doubt.’ It is the repetitive of kuala, ‘to spread out in order, to lay (as a table), to make (as a bed),’ and is connected with kualula ‘to count.’ [It is therefore like] a person in doubt as one who can’t get a thing in proper order, who lays it out one way but goes back again and again and tries it other ways. It is connected with uncertainty, hesitation, lack of an orderly grasp of the ‘count’ of the subject.” (Source: D. B. Long in The Bible Translator 1952, p. 87ff.)