The Hebrew that is translated as “Lord of hosts” in English (or: “Yahweh of Armies” [translation by John Goldingay, 2018], “Hashem, Master of Legions” [ArtScroll Tanakh translation, 2011]) is translated in various ways: It’s translated as “God the Highest Ruler” in Kankanaey, as “Lord Almighty” in Newari, as Mndewa Imulungu or “Lord with all power” in Kutu (source: Pioneer Bible Translators, project-specific translation notes in Paratext), as Wànjūnzhī Yēhéhuá (万军之耶和华) or “Jehovah of 10,000 [=all] armies” in Mandarin Chinese, as “Yawe God of the universe” in Mandinka, and in the German (Luther) Bible the second part of the name is transliterated: Herr Zebaoth or “Lord Zebaoth” (Swedish, Finnish and Latvian use the same translation strategy). The Russian Orthodox Synod translation uses a transliteration of the second part of the designation as well: Господь Саваоф / Gospod’ Savaof.
The traditional French translation of l’Eternel/Yahve/le Seigneur/Seigneur des armées (“Lord of the armies”) presents a problem when listened to, as Jean-Marc Babut explains (in The Bible Translator 1985, p. 411ff. ):
“For the hearer, the traditional translation l’Eternel/Yahve/le Seigneur des armées can easily be taken in a bad sense: there is nothing, in fact, to prevent the listener from hearing l’Eternel désarmé, ‘the Eternal One disarmed’ or ‘stripped of his power’! (…). Thus the Bible en français courant [publ. 1997] has decided to use the expression Seigneur/Dieu de l’univers, “Lord/God of the Universe”. This formula, which has an undeniably liturgical ring, seems to have been favorably received by users.”
Other, later French Bibles who have chosen a similar strategy, include Parole de Vie (publ. 2017) with Seigneur de l’univers or Bible Segond 21 (publ. 2007) with l’Eternel, le maître de l’univers.
The Hebrew, Aramaic and Greek terms that are often translated as “worship” (also, “kneel down” or “bow down”) are likewise translated in other languages in certain categories, including those based on physical activity, those which incorporate some element of “speaking” or “declaring,” and those which specify some type of mental activity.
Following is a list of (back-) translations (click or tap for details):
Obolo: itọtọbọ ebum: “express reverence and devotion” (source: Enene Enene)
Ngäbere: “cut oneself down before” (“This figure of speech comes from the picture of towering mahoganies in the forest which, under the woodman’s ax, quiver, waver, and then in solemn, thunderous crashing bury their lofty heads in the upstretched arms of the surrounding forest. This is the experience of every true worshiper who sees ‘the Lord, high and lifted up.’ Our own unworthiness brings us low. As the Valientes say, ‘we cut ourselves down before’ His presence. Our heads, which have been carried high in self-confidence, sink lower and lower in worship.)
Tzeltal: “end oneself before God.” (“Only by coming to the end of oneself can one truly worship. The animist worships his deities in the hope of receiving corresponding benefits, and some pagans in Christendom think that church attendance is a guarantee of success in this life and good luck in the future. But God has never set a price on worship except the price that we must pay, namely, ‘coming to the end of ourselves.'”) (Source of this and the one above: Nida 1952, p. 163)
Folopa: “die under God” (“an idiom that roughly back-translates “dying under God” which means lifting up his name and praising him and to acknowledge by everything one does and thanks that God is superior.”) (Source: Anderson / Moore, p. 202)
Chokwe: kuivayila — “rub something on” (“When anyone goes into the presence of a king or other superior, according to native law and custom the inferior gets down on the ground, takes a little earth in the fingers of his right hand, rubs it on his own body, and then claps his hands in homage and the greeting of friendship. It is a token of veneration, of homage, of extreme gratitude for some favor received. It is also a recognition of kingship, lordship, and a prostrating of oneself in its presence. Yet it simply is the applicative form of ‘to rub something on oneself’, this form of the verb giving the value of ‘because of.’ Thus in God’s presence as king and Lord we metaphorically rub dirt on ourselves, thus acknowledging Him for what He really is and what He has done for us.”) (Source: D. B. Long in The Bible Translator 1952, p. 87ff. )
In Luang it is translated with different shades of meaning:
For Mark 15:19 and Matt. 2:8 and 2:11: “uh’idma-rrama llia’ara” — “to kiss the fingernail and lick the heel”
For Acts 16:14: ra’uli-rawedi — “to praise-talk about”
Translators of different languages have found different ways with what kind of formality God is addressed. The first example is from a language where God is always addressed distinctly formal whereas the second is one where the opposite choice was made.
Click or tap here to see the rest of this insight
Like many languages (but unlike Greek or Hebrew or English), Tuvan uses a formal vs. informal 2nd person pronoun (a familiar vs. a respectful “you”). Unlike other languages that have this feature, however, the translators of the Tuvan Bible have attempted to be very consistent in using the different forms of address in every case a 2nd person pronoun has to be used in the translation of the biblical text.
As Voinov shows in Pronominal Theology in Translating the Gospels (in: The Bible Translator 2002, p. 210ff.), the choice to use either of the pronouns many times involved theological judgment. While the formal pronoun can signal personal distance or a social/power distance between the speaker and addressee, the informal pronoun can indicate familiarity or social/power equality between speaker and addressee.
In these verses, in which humans address God, the informal, familiar pronoun is used that communicates closeness.
Voinov notes that “in the Tuvan Bible, God is only addressed with the informal pronoun. No exceptions. An interesting thing about this is that I’ve heard new Tuvan believers praying with the formal form to God until they are corrected by other Christians who tell them that God is close to us so we should address him with the informal pronoun. As a result, the informal pronoun is the only one that is used in praying to God among the Tuvan church.”
In Gbaya, “a superior, whether father, uncle, or older brother, mother, aunt, or older sister, president, governor, or chief, is never addressed in the singular unless the speaker intends a deliberate insult. When addressing the superior face to face, the second person plural pronoun ɛ́nɛ́ or ‘you (pl.)’ is used, similar to the French usage of vous.
Accordingly, the translators of the current version of the Gbaya Bible chose to use the plural ɛ́nɛ́ to address God. There are a few exceptions. In Psalms 86:8, 97:9, and 138:1, God is addressed alongside other “gods,” and here the third person pronoun o is used to avoid confusion about who is being addressed. In several New Testament passages (Matthew 21:23, 26:68, 27:40, Mark 11:28, Luke 20:2, 23:37, as well as in Jesus’ interaction with Pilate and Jesus’ interaction with the Samaritan woman at the well) the less courteous form for Jesus is used to indicate ignorance of his position or mocking (source Philip Noss).
In Dutch and Western Frisian translations, however, God is always addressed with the formal pronoun.
The psalmist begins by expressing his fervent desire to be in the Temple. The Hebrew adjective in verse 1 may mean lovely (Revised Standard Version and others), an expression of the beauty of the Temple, or else “beloved,” which expresses the psalmist’s feelings for the Temple (see Briggs). So Good News Translation has “I love” (also Bible en français courant, Die Bibel im heutigen Deutsch); or else, in a general way, “How people love…” (Traduction œcuménique de la Bible, Bible de Jérusalem). (King James Version “amiable,” in the sense of “lovable,” is now archaic.) “Temple” translates the plural “dwelling places,” which is probably used for emphasis. For translation suggestions on “Temple” see 2.6; 5.7; 20.2. LORD of hosts translates “Yahweh of armies” (see 46.7 and comments).
In verse 2 the Temple is again spoken of, this time as the courts of the LORD (see 65.4 and comments). My soul in verse 2a (see nefesh in 3.2) and my heart and flesh in verse 2c are ways of speaking of the individual, as expressions of deep feelings and emotions (see comments on “heart” and “body” in 16.9). Faints in verse 2a is a way of reinforcing the emotion expressed by longs. In English My soul … faints is not a natural expression; a translation should not make it appear that the psalmist had a fainting spell. So New Jerusalem Bible “I long, I yearn,” and New Jerusalem Bible “My whole being yearns and pines.”
In the expression sing for joy to the living God, for joy is the manner of singing, and in some languages this structure must be shifted to a causal clause; for example, “with my whole heart I will sing to God who lives, because I am glad.” The living God means not only that God lives but that he is source and sustainer of all life. The expression the living God must often be recast as “the God who gives life” or “the God who causes everything to live.”
For similar expression of deep longing for the Temple, see 42.1-2.
Quoted with permission from Bratcher, Robert G. and Reyburn, William D. A Handbook on the Book of Psalms. (UBS Helps for Translators). New York: UBS, 1991. For this and other handbooks for translators see here .
Leave a Reply
You must be logged in to post a comment.